Method Notes No. 2: On storytelling through photography
What might surprise many is that I'm not the loudest voice in the room. Introversion is more than just a personality trait for me – it's how I perceive the world, especially when I'm behind the camera.
My photography, which I UNPLUGGED PHOTOGRAPHY , is an extension of this quiet space I create for myself. It's my approach where the noise of technology and distractions disappear, leaving only the moment, the subject, and my camera.
Why, you might ask, would someone like me—someone who doesn't exactly thrive in the spotlight or in crowds—choose to step in front of people and speak? Why classes ? Why share my methods, my insights? The truth is: teaching feels like an extension of my photography.
When I began my journey into photographing people, I had no map. I stumbled along by trial and error, often unsure if I was even on the right track. Looking back, I realize how much time, frustration, and energy a few well-placed pieces of advice could have saved me.
This type of photography is deeply personal, yet paradoxically it can be isolating – especially if you don't know how to evolve or move forward.
By talking about (my) photography and giving classes, I can share the knowledge I've painstakingly acquired over the years and continue to refine and develop. It's not just about teaching, but also about exchange. I'm always delighted when I can give direct feedback to other photographers' questions in conversations—or learn something new from them myself. This dialogue, this genuine connection, whether during a lecture or in a small class, is a valuable source of inspiration for me.
There's no shortcut to becoming a good photographer, but I still vividly remember the mistakes that made the journey particularly difficult. Back then, I wished someone would lend me a hand and share some fundamental truths about portrait photography. Sometimes, just a few simple pieces of advice can make all the difference, and that's exactly what I want to offer others – to make it easier to get started, clear up misunderstandings, minimize frustration, and open a window here and there.
When I talk about my experiences in my classes, I want to show participants that the path to photography doesn't have to be smooth and straightforward. It's a journey marked by detours and setbacks. But it's precisely these challenges that shape us and our work. If I can help make this path a little easier for someone, then every class has been worthwhile for me. There are several photographers (and other artists) I know and greatly admire who feel very similarly and design their workshops and lectures accordingly, not just to present themselves, but to share something that's important to them: knowledge.